June 14th, 2016 | Rachel Parry
If you’ve been dreaming of planning a pretty outdoor wedding, complete with vintage décor and vibrant blooms, then prepared to be inspired! As this afternoon on the blog we’re sharing this secret garden themed styled shoot, captured in the beautiful Alnwick Garden.
Arranged by photographer Kimberley Waterson, the aim of the shoot was to show off her beautiful style of photography whilst also showcasing the wonderful talents of fellow North East wedding suppliers, covering everything from the dress to the stationery.
We adore the location for this shoot, being one of our Brides Up North Luxury Wedding Exhibition venues and having just shot some fabulous editorial there back in April for Unveiled Issue #06 ourselves (watch this space)!
Meanwhile, to fill us in on all the fabulous styling for this piece, we’ll hand over the blogging reins to the lady behind the lens…
kimberley says: I planned this shoot as I wanted to showcase my fine art photography while working with some of the best North East wedding suppliers. My background is in analogue from when I was a combat photographer in the Royal Air Force. I then studied fine art photography at Derby University and my love for film photography grew.
The theme of the shoot was ‘secret garden’ with a slight vintage influence. I chose Alnwick Garden in Northumberland as the location for two simple reasons: it’s truly beautiful at any time of year and it has an enchanting tree house built up into the tree tops, with a rope swing bridge. The location fitted perfectly with our theme.
June 6th, 2016 | Rachel Parry
This afternoon on the blog we have some dreamy eye candy in the form of a stunning styled shoot to ease away those Monday blues.
Put together by a talented group of Cheshire wedding suppliers, this shoot centres round A Midsummer Night’s Dream theme with relaxed, ethereal styling and beautiful boho dresses and accessories.
Here to fill us in on all the pretty details is Rebecca from Gypsy Rose Vintage, who provided the beautiful hair accessories featured in the shoot. We need to get us one of those rose flower crowns #lush.
With images by Boho Lane Photography.
rebecca says: The purpose of the shoot was to bring together a group of like-minded bohemian and vintage inspired creatives to create a Midsummer Night’s Dream inspired shoot.
The chosen location was a local hidden gem, Maggoty Wood in Gawsworth, Cheshire, which fit perfectly with the theme of the shoot. The open space woodland was perfectly quiet and tranquil on the day we shot, allowing us to have free reign to create a series of different backdrops, capturing the natural beauty of the area.
The styling, which Pretty Creative assisted on, revolved around the Midsummer Night’s Dream/floral theme. We specifically wanted to include lots of feathers/dreamcatchers, colourful fresh fruits, such as figs and grapefruits, and, of course, lots of lovely flowers, which were supplied by Verity & Thyme. The stationery was created by Hattie Boo Designs and added a romantic pop of colour.
May 25th, 2016 | Julia Braime
Following on from our ethereal style sheet feature yesterday, we have more captivating woodland wedding inspiration for you, courtesy of Roma Elizabeth Photography.
Joining forces with talented supplier friends from across the UK, Roma, and her team, headed north to the enchanting Puck’s Glen in Scotland, to capture pretty bridal dresses and styling set against fit-for-a-fairy-tale surroundings.
Perfect for those that love the simple things, the shoot has a relaxed and undone feel, resulting in a romantic rustic look that offers an alternative to polished and glam. Here with all the details of the shoot is the lady that captured it all, Roma…
With images by Roma Elizabeth Photography. Model, Kathryn Halliday.
roma says: The styled shoot was came together through a collection of creatives. I’d planned to travel to Dunoon, Scotland, to put together a shoot and mentioned the idea to a couple of friends. Two of the girls are based down south but were keen to come up and visit the locations and get involved. We teamed together with another friend from Scotland, between us bringing suppliers and accessories together from all over the UK, and decided to base the look around the dresses, with soft ivories and pinks creating the colour palette.
As the chosen shoot location had a wild and unruly look to it, we wanted to keep everything linked into this style; from the model’s hair being loose and wild, to the dresses in soft tulles with beadwork detailing. The stationery by Claire Gould Calligraphy for Weddings, and the flowers by First Blush Flowers, had a rustic look to them too, as we did not want anything too ‘neat’.
I usually put together a few styled shoots a year and the details included are always based around the location. Scotland has so many stunning locations that I find inspiring, and after coming across Puck’s Glen I knew that I wanted one of the dresses featured in the shoot to be a beaded design to reflect the waterfalls and it also had to be an elegant shape to contrast with the wild woodland. The second dress we used was a two-piece with soft flowing organza and lace, which made a beautiful contrast to the first. Wendy from Flossy Dossy, provided both dresses. She designs and makes all the gowns herself and was keen to be involved. Her attention to detail and flare for classic gowns is beautiful and fitted in perfectly with the look we wanted. The pretty rings meanwhile, were provided by The London Victorian Ring Company.
May 19th, 2016 | Rachel Parry
Today we’re bringing you another helping of wonderful wedding inspiration in the form of this stunning styled shoot, put together by a talented team of South Yorkshire suppliers.
Enlisted to showcase the beauty of Manor Lodge, a new venue to the Sheffield wedding scene, photographer Stu Ganderton seized the opportunity to capture a shoot that was as honest and pure as its setting.
Keeping things simple, Stu and his expertly picked team focused on making the attire and flowers the main stars of the shoot to show that money invested into key areas of a wedding can really make it stand out from the crowd.
Another honest element to this shoot that we adore is that the models are actually a couple. As a result you can really feel the emotions, particularly in the image where Oliver is planting a tender kiss on Danielle’s head – we love!
To explain more about his ideas and how he executed them, we’ll now hand over the blog to photographer Stu…
With images by Stu Ganderton Wedding Photography.
stu says: When I decided to do the shoot, it was initially as just some simple marketing material for the venue to showcase the beauty of the ruins and Turret house. Manor Lodge has just recently started doing weddings, aimed at the Boho and DIY market, so I wanted to keep things as simple as possible, but I also wanted to show what could be done by a bride investing in the right areas on her wedding, and also what can be achieved when you engage the best creative brains in the market.
It was also important to me that the shoot had an ‘honesty’ to it, so that it was believable. So rather than spending on chocolate fountains, candy carts and love letters; getting a great dress that flattered the model along with beautiful flowers and a good photographer was at the forefront.
The two “models”, Danielle and Oliver have never had any modelling experience. Oliver is actually my son and Danni is his real girlfriend. So we had a real couple which I think complements the shoot and makes it more real!
I said all of the way through that I wanted the flowers and dress to shine through, so using the ethos of the original idea, we did not have any hair or makeup professionals on the shoot. Danni did her own makeup as she would normally, and said I wanted her to have soft curls.
The dress and veils used in the shoot were supplied by Kelly of KMR Bespoke Bridal Designer, and as soon as I mentioned the shoot to her, she knew exactly what dress she wanted Danni to wear. ‘Violet’ the dress modelled by Danielle in the shoot is an ivory, floor-length, circle skirt gown with a corded lace V neckline bodice. The full skirt is made of two layers of ivory duchess satin and chiffon with scallop lace edge detailing on the waist. We styled ‘Violet’ with the ’Louisa’ bridal belt and to mix up the looks for some of the shots we also added the ‘Evelina’ veil with Sam from Fantail Designer Florist’s stunning floral crown.
May 4th, 2016 | Rachel Parry
If you’re currently on the venue hunt for a setting that has both beauty and character, this afternoon’s blog post could just signal the end of your search. As the styled shoot that we’re sharing today opens up the doors to one of the oldest buildings in Manchester’s centre, which also happens to be one of the newest venues to join the city’s splendid wedding offering.
Dating back to 1421, Chetham’s is a unique setting that boasts beautiful old sandstone walls and magical medieval features. Keen to show off its potential to brides and grooms-to-be, wedding photographer Stephen McGowan got together with a group of fellow North West suppliers to help inspire couples who are currently on the venue search.
The result is a wonderful set of images with gorgeous blooms, styling and lighting, which showcases both the building and the team’s skills beautifully. To tell us how it all came together, we’ll hand over the blogging reins to photographer Stephen…
With images by our lovely Brides Up North Sponsor Stephen McGowan Photography.
stephen says: Chetham’s is a new and exciting venue available to brides and grooms looking to get married in a gorgeous medieval Manchester city centre setting.
Our overall aim was to complement the medieval ambiance and architecture of this unique wedding venue and so I chose to photograph using natural light inside the main hall as I absolutely loved how the light fell on the models’ faces through the large gothic windows in the Baronial Hall.
In terms of styling we wanted to keep things simple and fresh with undertones of 1920s and 30s bridal styling. The models were therefore dressed in stunning Charlotte Balbier gowns supplied by 7th Heaven Bridalwear. We picked designs that we felt worked well with the historic setting and stuck to fresh, natural makeup looks created by makeup artist Emma Culbert, that didn’t detract from the dresses or surroundings. Hairdresser Jessica Shelley then styled the models’ hair to complement our 1920s theme.
Verdure Floral Design were brilliant and let us have a choice of three bouquets, along with floral headpiece and table centrepiece, to use in the shoot. We wanted the floral colours to subtly complement our look but not to overpower and Verdure Floral Design fully understood the brief and pulled this off perfectly.
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April 28th, 2016 | Rachel Parry
The stunning styled shoot that we’re sharing with you today offers inspiration for all with urban, vintage, rock ‘n’ roll and contemporary influences playing a part,.
Shot at a cool, new venue to the wedding scene, The West Mill in Derby, the talented suppliers behind this striking shoot picked styling and decorative elements that would contrast beautifully with the converted cotton mill’s raw and stripped back interiors.
The result is a highly stylish and fresh set of images which provide fabulous ideas for everything from table settings and décor to beauty and attire. To explain more about the creative thought behind the shoot, we’ll hand over the blog to florist Nadia, who planned all the magic along with her business partner Penny and photographer Ben from HBA Photography.
With images by HBA Photography. Models Hannah Bartter-Clamp, Sophie Brentnall and Martyna Morkuniene.
nadia says: Several members of the team on this shoot had worked together previously, and created some really beautiful images in the past that were soft, romantic and very feminine. This time however, they were really keen to style a shoot loosely based on the prohibition era of the 1920’s, adding in a modern, slightly darker twist. Sultry brides and rock and roll grooms was what we were looking for!
The West Mill venue has so many quirky, intrinsically unique features that they were keen to highlight the style of the venue as well as playing with a more edgy, masculine vibe. Most shoots are very much geared towards the bride so they wanted to create something that grooms could connect with too.
When it came to the styling, the team wanted to work with the raw, urban nature of The West Mill, with its exposed brick work, rusted ceilings and slate floors, so used accessories such as copper lanterns and handmade cement table numbers to really tie in with this.
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