February 5th, 2018 | Laura McDonagh
The life of a creative wedding industry type is a busy one and photographer Camilla from Camilla Lucinda Photography wasn’t alone in feeling exhausted at the end of a hectic and successful summer season. However, instead of hanging up her camera and kicking back for a well-deserved break, she rallied together a group of like-minded North West and East-based industry experts for some sublime creative play at her family’s farm in Carlisle. And boy, are we glad she did.
This rustic, nature-inspired autumn wedding shoot is full of charming homespun details with crates, chalkboards and pops of autumnal colour all making an appearance. It also features the bridal trend we can’t get enough of: yup, a sumptuous berry lip. Half prim and proper, half full-on fashion-y, we’re huge fans of this bold, seasonal look.
If you’re planning on getting hitched in autumn, this one definitely is for you. Making the most of the season’s gorgeous light, Camilla showcases the kind of sun-soaked photographs you can aspire to if you’ve set the date for September or October.
With images by Camilla Lucinda Photography. Model Sian Ashton.
camilla says: After a busy summer season for all suppliers involved in the wedding industry, I approached a couple I knew regarding doing something a bit more fun and creative. When shooting weddings (or creating bouquets, headwear, cakes etc), you tend to be creating something to a fairly strict brief – with the shoot, though, we wanted to establish an overall theme and then let each supplier run with their own ideas. It was a shoot where we could all afford to think a little bit more ‘outside the box’. Personally, I wanted to do something that refreshed my creativity, and allowed me to play with natural light. After all, you can only really test your ideas on a shoot like this rather than on someone’s big day.
The title we all worked off was ‘A Rustic, Sun-Drenched Autumnal Wedding’. I created a big mood board for all the suppliers and let them use that as their starting point for inspiration. Colour-wise, we all looked towards plants and trees in autumn and the colours they naturally produce: darker green hues, maroons, rich reds, as well as burnt oranges. The sunshine really worked with the scheme, drenching the photographs and props in beautiful golden sunlight.
Colt Close Farm is our family farm; my grandparents – both 91! – currently live there. Since starting my wedding photography career and shooting lots of different barn-styled weddings, it’s been on my mind how amazing our family farm could be for a wedding or styled shoot. Therefore, it was totally my first choice location-wise. It allowed us to have full run of the property and surrounding land too, which was a huge bonus.
We wanted the styling to be in keeping with the look of the farm, so a mix of elegant vintage and a natural rustic vibe. The farmhouse itself is a beautiful sandstone brick building, so with the table set-up we went down the vintage/elegant route with a floral table runner, vintage table settings and candle holders from my gran’s personal collection. Calligraphy-wise, Jessica from Handwritten Decor created wooden and chalkboard signs, following the current trend in the industry and fitting nicely with the rustic farmyard setting. The flowers were supplied by Roseberry Floral and were stunning. We mixed and matched lots of details in different settings, for example the floral table runner was used on the table set up, over the bride’s forearms behind the cake, at the bottom of the Pimp Your Prosecco station, and around the Love At First Bite setup – it’s creative (and cost-effective!) to reuse elements for different parts of a day.
June 7th, 2017 | Alexis Forsyth
Unbridled romance laced with Parisian charm lies at the heart of today’s beautiful styled shoot at the enchanting Kirklinton Hall. You’d be forgiven for thinking that the venue is nestled somewhere in the picturesque French countryside but it is, in fact, much closer to home, near Carlisle (yes, we gasped when we first read this, too).
The 17th century ruin provides the most splendid of backdrops – the kind we’ve often daydreamed about while poring over our favourite period novel. We’re talking 14 acres of leafy grounds and a meandering river nearby, not to mention spiralling turrets and a gypsy caravan for something altogether fantastical.
This serene shoot is about intimacy and those finer details, wrapped up in all things tres chic – from the gorgeous vintage style stationery and dainty crockery, to the most elegant of wedding dresses and frivolous florals. Quite simply: j’adore.
Megan Hawkins from lighting and backdrop specialist Typical Type, who headed up the shoot, tells us more…
With photography from Tiree Dawson.
megan says: The idea for this shoot was to demonstrate how a small, intimate wedding could be styled. The theme came to me after I looked around the venue. There was something about the plants climbing up the soft ochre walls and the gentle sun pouring in which spoke of long summer days in France.
Photographer Tiree Dawson and I have done a number of shoots together and we always like to look for somewhere a little different. We searched for a long time, and when Kirklinton Hall, near Carlisle, presented itself – with its tumbled down walls and less than formal gardens – we just knew it was perfect. It is a very romantic place, with a gypsy caravan, turrets and a river running around its perimeter. It’s the kind of place you could go to as a couple and lose yourselves. It is a new venue, too, so we knew that we were bringing something fresh to the table. We then crafted the French elopement scene around it.
Our models, Lau and Grant are naturally gorgeous, so we didn’t want to do too much to them. The idea was never to make them overtly ‘French’, but to hint at it. So a gentle chignon with soft finger waves, created by Gareth from Aqua The Salon, and emphasis on Lau’s stunning English-Rose look from MUA Aimee Chroley was all that was required.
The dresses were made for the shoot by the talented team at Legend Bridal. For the Parisian theme, we selected the Elana gown. This dress does it all, with its full back illusion panel which shows the back and shoulders whilst remaining softly demure, but enticing. The high low hem allows a glimpse of those incredible shoes while owning a glorious train, which fans out like a peacock when walking. Made from soft glittering tulle, this dress is deliciously light and easy to wear while having all the Parisian glamour from the sumptuous lace and stunning row of tiny satin covered buttons down the back.
For the décor, we brought Janet from Wilde and Romantic on board. It was only her second ever shoot, and she came armed with a wonderful array of props, adding a little ‘joie de vivre’ to the shoot. We added to this with our new crystal chandelier, and the talented Lau not only modelled, but created the stationery and painted backdrop, as part of her venture Neat Creative. The colour palette for this scene was soft – think lilacs, lavenders, olives, and pale pinks – all picked out by the talented Kevin from Brackens of Bowness. In addition, the breads and croissants that featured in the photo shoot were supplied by More Bakery.
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