Brides Up North Wedding Fairs

relive the romance: introducing cine reportage

July 25th, 2017 | Julia Braime

Cine Reportage (1)

Beyond pro wedding photography, we’re often encouraging our readers to consider video too, for while photographs freeze those perfect moments in time, film footage enables you to relive the moments over and over again.

And just how there are many differing styles of photography, there are also lots of types of videographers, so it’s well worth exploring the options. For those wanting something super special and individual with a hint of nostalgia, we’d highly recommend checking out the awe-inspiring work of our fabulous new Sponsor William Cummock of Ciné Reportage.

Based in West-Yorkshire, William has an impressive collection of Super 8 and 16mm cameras, dating from the 1930s to the 1980s, which he uses to shoot, capturing weddings on real film – which we think you’ll agree is a great novelty and skill in this digital age!

The result is utterly beautiful and super romantic footage that will cause you to weaken at the knees (and tear ducts!). So, while we grab the Kleenex, we’ll hand over to William who’s here to share more details and examples of his stunning work…

Confetti… from Cine Reportage on Vimeo.

When did you first start filming weddings and how did you get into it?

william says: I studied Fine Art at university and purchased my first super 8 camera to record the process of painting, but it soon became more about the film than the painting. I teamed up with a friend to enter a Super 8 film competition called straight 8 that I’d seen on Channel 4 late one night. Amazingly, we were selected for their prestigious Cannes Film Festival screening for a record five consecutive years and had our work screened at festivals all over the world. Alongside a few exhibitions and screenings in London art galleries and forays into the world of music videos and animation, I took over the running of straight 8 full-time until 2012 and still help out today.

In 2010 I offered to shoot a few friend’s weddings on Super 8 as gifts and Ciné Reportage was born. I loved doing it and it’s what I’ve done ever since.

How would you describe your style videography and how does it set you apart?

I shoot on Super 8 and 16mm film. It’s real film, like the stuff that you used put in your camera 20 years ago – you need to send it to a lab to be processed and digitally transferred before you can see it. Film has a unique, tactile beauty that can’t be replicated digitally. It’s not the easiest format to shoot with, but I think it’s the most beautiful and the most romantic.

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What is it that you love most about your job?

I feel privileged to be doing what I do. I’m invited to witness and record incredibly important and intimate moments in people’s lives. I can’t think of many circumstances in commercial film production where a client would be so happy with your work that they’d shed tears of joy! It’s the most rewarding thing I’ve ever done.

In your opinion what are the most important things for a couple to consider when deciding which videographer to book for their wedding?

Videographers and filmmakers are definitely not one-size-fits-all. There’s a wealth of talent out there and a lot of different ways of working. It’s worth putting in some research to find films that you love and someone that will work in a way that you’re happy with. If you see films with loads of footage of the couple on their own, do bear in mind how much time you’d like to spend away from the party!

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