May 9th, 2018 | Julia Braime
Pure, simple and spellbindingly beautiful is how we would describe the stunning work of our fabulous Sponsor Cine Reportage, with whom we are catching up with on the blog today.
A wedding videographer with a difference, William who owns the business captures a couple’s big day on real film using Super 8 and 16mm cameras. The outcome? Utterly gorgeous footage with a charming, nostalgic grainy edge which only further boosts the romantic feels.
Having covered varying styles of weddings across the UK and overseas, William is now keen to shoot some celebrations closer to his home in rural West Yorkshire having recently become a dad to baby son Percy (talk about a cute name!) As such, William is offering a £150 discount for weddings within a 75-mile drive of Holmfirth – so be sure to get on Google maps to see if you fall into said radius for a little extra saving!
But for now, join us as we take a look at William’s incredible work – be warned, this could trigger an emotional tear or two!
Images by Zara of Ginger Veil.
Can you tell us a little about your style of videography and why you think it’s so important for weddings to be captured on film?
william says: We love the photos of our wedding, but every year on our anniversary it’s our wedding film that we watch. It transports us back to the day, the place and the people in a way that photos can’t. I love it more every year and I look younger and slimmer every year!
What would you say to camera-shy couples who feel that having a videographer present on their wedding day would make them nervous?
I shoot as unobtrusively as possible and a lot of the time you won’t even know you’re on camera. It’s worth remembering that the film won’t just be about you; you’ll be surrounded by your favourite people and they’ll all be there to celebrate your love – it’s worth recording!
What is it that couples love about your approach and particular style of videography?
Unlike almost any other wedding filmmakers, we shoot on real film. It’s more romantic, more beautiful and more permanent than digital mediums. The films we make are fairly simple, and free from gimmicky production. We just record the day, as it happens, in a beautiful way. It’s not for everyone, but people that get it, love it.
What have you been up to since we last spoke to you? Where have you been shooting and what styles of weddings have you captured?
I’ve shot a crazy variety of weddings since we were last in touch – from fields, to beaches, to a private chateau in the South of France. The most unusual was a 1940s themed wedding at a 1940s weekend in Sheringham, Norfolk. The whole town dressed up and I shot it entirely in grainy black and white film with a period soundtrack.
You’ve just launched your new website. What’s changed and what can couples see on there?
Our new website is simpler and has more films on it than the last one; it’s easier to show you what we do than to talk on about how we do it. I’m going to add a blog page on there too – I’ve just got to find the time to write some posts!
What was your highlight of 2017 and what are you most looking forward to this year?
My highlight of the year was the arrival of Percy, our son. With him around I’m really keen to do more local work so that we can enjoy more time together.
If you could shoot a celebrity’s wedding whose would it be and why?
Hmm, that’s tricky! Maybe Martin Freeman. I just watched the first series of Fargo on Netfilx and he’s awesome in it. And my wife once saw him taking his mum to tea at Ladurée in Paris, which make me think he’s a good egg. I’ve no idea if he has any plans to get married. Otherwise maybe a great designer, director, photographer, or artist – it’s always a massive compliment when you’re asked to work for someone whose work you love.
Is there anywhere in particular you would love the opportunity to shoot, that you’ve not yet visited, or an area you enjoying shooting that you would like to shoot in more often?
I live in Holmfirth, on the edge of the Peak District. It’s an incredibly beautiful part of the world and I’d love shoot some weddings around here. There’s a vineyard just up the hill from our house – the view from there is immense and the wine is pretty good too! I’d love to shoot a wedding there.
Can you give us an idea on price/packages and are you able to offer our readers a special discount?
Our prices usually start from £1,650, but for 2018-2019 I’m offering a £150 discount for weddings within a 75-mile drive of Holmfirth. With a young family, it’s becoming more important for me to spend time at home and living in such a beautiful part of the country it seems a shame not to do more, more locally.
July 25th, 2017 | Julia Braime
Beyond pro wedding photography, we’re often encouraging our readers to consider video too, for while photographs freeze those perfect moments in time, film footage enables you to relive the moments over and over again.
And just how there are many differing styles of photography, there are also lots of types of videographers, so it’s well worth exploring the options. For those wanting something super special and individual with a hint of nostalgia, we’d highly recommend checking out the awe-inspiring work of our fabulous new Sponsor William Cummock of Ciné Reportage.
Based in West-Yorkshire, William has an impressive collection of Super 8 and 16mm cameras, dating from the 1930s to the 1980s, which he uses to shoot, capturing weddings on real film – which we think you’ll agree is a great novelty and skill in this digital age!
The result is utterly beautiful and super romantic footage that will cause you to weaken at the knees (and tear ducts!). So, while we grab the Kleenex, we’ll hand over to William who’s here to share more details and examples of his stunning work…
When did you first start filming weddings and how did you get into it?
william says: I studied Fine Art at university and purchased my first super 8 camera to record the process of painting, but it soon became more about the film than the painting. I teamed up with a friend to enter a Super 8 film competition called straight 8 that I’d seen on Channel 4 late one night. Amazingly, we were selected for their prestigious Cannes Film Festival screening for a record five consecutive years and had our work screened at festivals all over the world. Alongside a few exhibitions and screenings in London art galleries and forays into the world of music videos and animation, I took over the running of straight 8 full-time until 2012 and still help out today.
In 2010 I offered to shoot a few friend’s weddings on Super 8 as gifts and Ciné Reportage was born. I loved doing it and it’s what I’ve done ever since.
How would you describe your style videography and how does it set you apart?
I shoot on Super 8 and 16mm film. It’s real film, like the stuff that you used put in your camera 20 years ago – you need to send it to a lab to be processed and digitally transferred before you can see it. Film has a unique, tactile beauty that can’t be replicated digitally. It’s not the easiest format to shoot with, but I think it’s the most beautiful and the most romantic.
What is it that you love most about your job?
I feel privileged to be doing what I do. I’m invited to witness and record incredibly important and intimate moments in people’s lives. I can’t think of many circumstances in commercial film production where a client would be so happy with your work that they’d shed tears of joy! It’s the most rewarding thing I’ve ever done.
In your opinion what are the most important things for a couple to consider when deciding which videographer to book for their wedding?
Videographers and filmmakers are definitely not one-size-fits-all. There’s a wealth of talent out there and a lot of different ways of working. It’s worth putting in some research to find films that you love and someone that will work in a way that you’re happy with. If you see films with loads of footage of the couple on their own, do bear in mind how much time you’d like to spend away from the party!
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