April 10th, 2018 | Laura McDonagh
While not exactly a Weddingworld staple in the way that a veil is, capes make an appearance on the white carpet of the bridal runways season after season. And before you dismiss the idea of a cape or cover up out of hand, be aware that they’re not just for fashion-forward brides or those craving a dramatic entrance. In fact, many brides opt for a cover up for the simple reason that they want a muted, modest look for their ceremony but then want to switch up their style for the evening; in this instance, capes or cover ups can provide versatility without going down the two-dress-route (and completely blowing the budget). Plus take note, readers: cover ups come in all shapes and styles, from sheer, delicately-beaded, vintage-style numbers to blingy Beyonce-style (faux) furs – and this season we’re even seeing fresh, unorthodox pieces such as satin bomber jackets and denim cut-offs emerge. What a time to be a bride!
So, if you fancy the statement of something trailing down the aisle behind you but a cathedral-length veil is a tad too conventional, join us as we take a look at what designers are offering in the way of capes and other cover ups.
Main post images by Savin London.
Let’s begin with something classically cape-like, such as Savannah Miller’s Lisa. So far, so vintage. Made from blush velvet and adorned with pearls, this would be glorious for a winter wedding or with a castle as a backdrop – is it just me or is there a bit of a medieval feel to this one? There’s also the May capelet, a strikingly simple tulle creation with more than a nod to the 70s with its ruffle drawstring neckline. And then there’s my personal favourite: the Edith. You’d have to have been dead (or, you know, at least have been locked out of your Instagram) to have missed the frenzy from fashion bloggers over the M&S constellation print dress over the winter, and the delightful Edith plays to the same trend. With its starry lace pattern, it’s cosmic, cute and a little bit kooky without being too far out.
So now that you’re warming up to the idea, let’s take a look at trendy trailblazer Halfpenny London’s offerings, starting with the Wren top. Halfpenny prides itself on creating vintage-style pieces for modern brides, and this mantra is perfectly encapsulated in the simple but striking Wren – we love its boxy shape, the pleated piecrust collar and the row of delicate buttons down the back. Arguably more classic in style, the Ridley’s batwing shape and sheer lace is universally flattering and is worn over a number of different gowns in the Halfpenny campaign images to illustrate its gorgeous versatility. And then there’s the Cliff dress – not technically a cape, but a fitted satin dress with an oversized sheer three-tiered lace overlay which gives the definite impression of a cover up. Striking, stylish and undeniably stunning.
March 29th, 2018 | Laura McDonagh
Stacy and Andy’s stunning day represents the best of two very different wedding worlds, with wild, windy Wuthering Heights-style portraits at the top of Pendle Hill placed alongside the laidback industrial cool of Holmes Mill in Clitheroe.
From the moment this decisive pair stepped foot in the venue they just knew it was for them – falling instantly in love with its exposed stone walls, cool lighting and chic industrial features. If ‘urban luxe’ is your wedding styling preference too, then be sure to come along to our Luxury Wedding Fair at Holmes Mill on Sunday 8th April, 11am to 2pm, FREE ENTRY, to see this gorgeous venue for yourself while meeting a host of the area’s top wedding suppliers.
But for now, back to Stacy and Andy – their theme evolved organically, with lots of dark red, evergreens, candlelight and Stacy’s Edwardian-style dress setting an effortlessly elegant tone for a spectacular winter feast. The Northern Soul and Hacienda-influenced playlist and pie, pea and chips supper gets a big thumbs up from us and, quite frankly, pushes Stacy and Andy into poll position as our current festive wedspo favourites.
There’s so much to crush on in these images, from the vintage cocktail glasses to the unfettered emotion in those triumphant fist-pumping shots taken outside the church. So, without further ado, it’s time to indulge in some beauty!
With images by S6 Photography.
stacy says: Andy’s proposal was a complete surprise. We were spending Christmas 2016 separately with our families (mine in Lancashire, Andy’s in Berkshire) as we both live and work in London so don’t get much time with them throughout the year. On Christmas morning, Andy made the four-hour drive up to surprise me at my parents’. I answered the door, and my mum and dad – who knew he was coming – were so excited that they appeared at the door too, along with my brother. When I opened it to find him on the doorstep on one knee, he proposed to all of us! We had such an amazing Christmas Day – my mum had already set the table for five (I hadn’t even noticed), and we all ate Christmas dinner together, then drank champagne and danced into the small hours.
Our wedding was 30th December 2017. The date wasn’t significant, we just didn’t want to be engaged for a long time, and I always liked the idea of a winter wedding over a summer wedding because of all the aesthetics, with cosy candlelight and dark colours and foliage.
The ceremony was at St Peter & St Joseph RC church in Rossendale, Lancashire. The church is special to me because my parents were married there in 1984, and my grandparents in 1946. My grandparents Nellie and Jack attended mass there until their deaths, and we reserved their usual bench with a sign and two red roses, so it felt like they were there. Throughout the ceremony I felt that if I’d turned around I would have seen them, which was a lovely feeling.
Our reception was at Holmes Mill, Clitheroe. My dad Stuart found the venue, and as soon as we walked in (it was the first venue we saw), we knew it was the one. We’re quite decisive! We loved how it felt almost like a private members’ club, with potted palms and nooks and crannies with comfy sofas. I love all things Victorian and Edwardian, and loved the way they’d made all the old mill equipment the focus of each room. Upstairs the function room was perfect, with exposed walls, Edison bulbs and a glass wall overlooking the brewery. I think we made our minds up before we’d even talked prices.
There wasn’t a theme but I suppose we wanted everything to be seasonal, with natural lighting, dark colours and foliage. There ended up being a lot of dark red – my flowers, my shoes, Andy’s tie – which wasn’t planned but came together well.
My dress was from Savannah Miller’s collection at Debenhams. I knew I wanted long sleeves and a high neck; when I was looking at dresses I was drawn over and over again to Edwardian-style dresses with narrow shapes and beautiful detailing. It made it easy to shop for one because at every showroom or boutique I visited (about four in total), they only had one or two long-sleeved dresses. When I tried the Savannah Miller dress on it was just perfect – and it helped that it was about a third of the price of everything else I’d tried!
I shopped around for bridal shoes but found most of them weren’t my style. I eventually chose a pair of Bordeaux velvet court shoes from the V&A collection at Ravel, which was a beautiful contrast to the ivory dress. My earrings were from Latelita London, and I bought an ivory fur cape from Helen Moore to wear outside. My veil was from Kimberley Anne Bridal Boutique in Clitheroe.
We strive to represent the very best in our industry, but Brides Up North cannot be held liable for the products/ services of our sponsors. Any bookings are made at your own risk. Terms & Conditions.
All images © Brides Up North/ original author. Images should not be reproduced without written permission. Terms & Conditions.