June 16th, 2017 | Julia Braime
Ladies, the weekend is upon which means it’s almost time to fill up your glass and let your hair down, but before you clock off we’re bringing you a beautifully soft and subtle styled shoot captured at one of our stunning Sponsor venues, Saltmarshe Hall.
Located in East Yorkshire, this elegant country house (where we hold two wedding fairs a year – next one on 22nd October), provided the perfect backdrop for this romantic 1920s shoot that’s brimming with chic dresses and details for your own big day.
Put together by a talented team of Yorkshire-based suppliers, all angles from the décor, cake and stationery to hair, makeup and attire have been covered, giving you plenty of pretty to pour over! Here to give us all the details on the concept and contributors is hair and makeup artist Julia Jeckell…
With images by Aden Priest.
julia says: It’s always really special to collaborate with a team of talented creatives. Working as a hair and makeup artist I am slightly obsessed with looks from past eras and my inspiration for the shoot came from the early 1920’s. I wanted to create a classic, almost understated ‘old world’ ethereal feel, with that classic Englishness of ‘The Bloomsbury’ set, as opposed to the glitz and glamour of the ‘Gatzby’ era.
The location of Saltmarshe Hall, near Howden, East Yorkshire, was the perfect setting for our photoshoot. It was chosen as it is an elegant Grade II listed, 19th Century English country house and complemented our vintage theme perfectly.
In particular, the soft cool tones of the paintwork worked as the perfect backdrop for a dreamy ethereal feel, along with detailing throughout the house worked to stunning effect, especially as some of the bedrooms we used had 1920’s deco style mirrors and vintage features.
Anna Straw of Anna’s Attic, our venue stylist, set up the wedding breakfast tables with a beautiful mix of glass candlesticks, string pearls, a floral centrepiece and handmade vintage doilies in cream and blush pinks. Bespoke pink mirror place cards and menus were created by Lisa Jane of Lisa Jane Creative, who specialises in wedding stationery to reflect our 1920’s deco feel.
A casually placed blush pink runner was used at the front of the top table and dressed with vintage silver bud vases, bottles and pearl strings using pretty cut flowers and vintage style roses in soft pastels with flowing foliage, which was provided by Sarah from All Occasions Florists, Howden.
Flowers were also lined up along the mantle in the ceremony room, which was also used to showcase some other carefully curated feminine items, these included a Doulton 1920’s figurine, strings of pearls, a vintage Chanel bottle and silver bud vase with ostrich feathers in the softest grey and pink and cut blooms, all sat atop a silver mirrored tray.
June 12th, 2017 | Alexis Forsyth
We’ve got disco fever on the blog today thanks to this bold and beautiful styled shoot, which looks back to the glory days of celebrity hotspot Studio 54 for a dose of glamorous wedding inspiration.
With shiny disco balls, flamingos, a gorgeous peacock palette, faux-fro hairstyling and a black satin wedding gown thrown into the mix – this shoot isn’t for the fainthearted bride.
It’s not an all-out extravagant affair though; the captivating backdrop of Kirklinton Hall – a 17th century ruin – adds a softer, romantic edge to the photography, too, as Megan from lighting and backdrop specialist Typical Type explains…
With photography by Tiree Dawson.
megan says: Like all wedding suppliers, when the quieter winter months come, we dream; we plan our marketing and part of that is collating amazing images. One of the best ways of doing this is to work with a trusted group of suppliers to showcase what we have learnt over the summer and what we would like to share with our couples.
I have been keen on doing a 70s style, Studio 54 shoot for a very long time. Then, we received some disco balls and, as they say, the rest is history! Luckily for me, the others in the team didn’t take too much persuasion.
Lake District-based photographer Tiree Dawson and I have done a number of shoots together and we always like to look for somewhere a little different. We searched for a long time and when Kirklinton Hall in Carlisle, presented itself, with its tumbled down walls and less than formal gardens, we knew it was perfect. We then broke all the rules with the Studio 54 theme.
Makeup artist Aimee Chorley and hair stylist Gareth both wanted to share a more modern take on the 70s, and they looked to people like Grace Jones and Bianca Jagger and reworked their iconic looks. Drawing inspiration from the AW17/18 catwalks, the hair was big and the makeup bright. With a peacock palette – there was plenty for Aimee to choose from.
For model Crystal, Gareth from Aqua Hair created a faux-fro, and her hair got bigger and bigger as the day went on. We even had a hair dryer blowing at one point to create movement – it all got a bit 70s power ballad! Model Erin had a sophisticated swept over style, inspired by Farrah Fawcett. Her eyes were strong turquoise, with a shimmer lip and – to add to the theme – no blusher!
The dresses Pandora and Nyx were specially made for the shoot by the talented team at Legend Bridal. Pandora harks back to the 70s with its boho vibe that brings to mind the disco beat of flares, soft lace and high waist dreamy maxi dresses. This dress is truly individual and so romantic with its oversized hood and flowing sleeves cut from lace, which has the deepest of deep borders. It has a sense of light-heartedness but just shouts of unadulterated luxury, too.
Nyx makes no apologies for being right out there; aiming to make a statement. This version was cut in a heavyweight black satin to create a figure hugging inner dress that shows all the right curves. The designers then took a gorgeous beaded corded lace with deep scallop and beautiful design to create a maxi dress showing plenty of leg from the front, while sporting the neatest of trains at the back. Not one for the shy at heart.
June 7th, 2017 | Alexis Forsyth
Unbridled romance laced with Parisian charm lies at the heart of today’s beautiful styled shoot at the enchanting Kirklinton Hall. You’d be forgiven for thinking that the venue is nestled somewhere in the picturesque French countryside but it is, in fact, much closer to home, near Carlisle (yes, we gasped when we first read this, too).
The 17th century ruin provides the most splendid of backdrops – the kind we’ve often daydreamed about while poring over our favourite period novel. We’re talking 14 acres of leafy grounds and a meandering river nearby, not to mention spiralling turrets and a gypsy caravan for something altogether fantastical.
This serene shoot is about intimacy and those finer details, wrapped up in all things tres chic – from the gorgeous vintage style stationery and dainty crockery, to the most elegant of wedding dresses and frivolous florals. Quite simply: j’adore.
Megan Hawkins from lighting and backdrop specialist Typical Type, who headed up the shoot, tells us more…
With photography from Tiree Dawson.
megan says: The idea for this shoot was to demonstrate how a small, intimate wedding could be styled. The theme came to me after I looked around the venue. There was something about the plants climbing up the soft ochre walls and the gentle sun pouring in which spoke of long summer days in France.
Photographer Tiree Dawson and I have done a number of shoots together and we always like to look for somewhere a little different. We searched for a long time, and when Kirklinton Hall, near Carlisle, presented itself – with its tumbled down walls and less than formal gardens – we just knew it was perfect. It is a very romantic place, with a gypsy caravan, turrets and a river running around its perimeter. It’s the kind of place you could go to as a couple and lose yourselves. It is a new venue, too, so we knew that we were bringing something fresh to the table. We then crafted the French elopement scene around it.
Our models, Lau and Grant are naturally gorgeous, so we didn’t want to do too much to them. The idea was never to make them overtly ‘French’, but to hint at it. So a gentle chignon with soft finger waves, created by Gareth from Aqua The Salon, and emphasis on Lau’s stunning English-Rose look from MUA Aimee Chroley was all that was required.
The dresses were made for the shoot by the talented team at Legend Bridal. For the Parisian theme, we selected the Elana gown. This dress does it all, with its full back illusion panel which shows the back and shoulders whilst remaining softly demure, but enticing. The high low hem allows a glimpse of those incredible shoes while owning a glorious train, which fans out like a peacock when walking. Made from soft glittering tulle, this dress is deliciously light and easy to wear while having all the Parisian glamour from the sumptuous lace and stunning row of tiny satin covered buttons down the back.
For the décor, we brought Janet from Wilde and Romantic on board. It was only her second ever shoot, and she came armed with a wonderful array of props, adding a little ‘joie de vivre’ to the shoot. We added to this with our new crystal chandelier, and the talented Lau not only modelled, but created the stationery and painted backdrop, as part of her venture Neat Creative. The colour palette for this scene was soft – think lilacs, lavenders, olives, and pale pinks – all picked out by the talented Kevin from Brackens of Bowness. In addition, the breads and croissants that featured in the photo shoot were supplied by More Bakery.
May 31st, 2017 | Rachel Parry
If hump day has hit you twice as hard following the long weekend, join us as we escape to a peaceful part of Yorkshire to indulge in this idyllic styled bridal shoot.
Headed up by photographer Jenny Maden, the shoot features the handiwork of a small collaborative of Yorkshire wedding suppliers who have combined their skills to produce a whimsical set of images with beautiful styling inspo for your big day.
Now, put that spreadsheet to one side and enjoy scanning through the pretty as Jenny explains how it all came together…
With images by Jenny Maden Photography
jenny says: I absolutely love styled shoots as they provide an opportunity to get creative with all things pretty, and with fewer time constraints than an actual wedding day. It also allows me to work with some awesome suppliers across the industry, who love what they do – and do it brilliantly.
For this shoot, I once again teamed up with the lovely Angela of Floral Dance to provide the wonderful blooms and to help on the styling. The gorgeous bridalwear was provided by Amelia’s Bridal, while makeup was taken care of by Carolyn Christina Beauty and hair was styled by Marisa at Bijou, based in Horsforth.
As with our prior styled shoots, we wanted to keep the look both pretty and rustic and incorporate the beauty of the great outdoors as much as possible. As such we chose a scene riverside location in Yorkshire to capture the shoot. It’s a real hidden gem, with such a great variety of backdrops and shooing angles, in a relatively small area. The bridge, the pebbles, the water and the foliage all added to the final collection of images.
May 29th, 2017 | Alexis Forsyth
We’re turning back the clock today with an uber cool 1970s retro wedding shoot that’s got us falling head over heels for folk-inspired trends.
Floaty wedding gowns and cute floral head crowns are paired with a demure makeup palette and loose waves to create a carefree and youthful bridal look. But it’s the props in this shoot that really bring the era to life. You know that rusty orange shade that’s come to epitomise 70s pop culture? You’ll find pops of this tone on the cake, stationery and vintage crockery – and we have to admit, we just adore the modern take on this 70s hue. And then there’s the Ford Capri – runaway brides at the ready!
Photographer Sophie led on the brief for the shoot and based it around her passion for all things 1970s-related. Here, she tells us more about her fascination with the era and introduces us to the suppliers she collaborated with on the day. So, grab your bean bag, get comfy and read on…
With images by Sophie Kerr Photography.
Models: Elise Lynn and Ella Ruth Copperthwaite.
sophie says: The title of the shoot is ’70s obsession’, named so because I have, for as long as I can remember, had a strange fascination with that era. My parents married in 1973 so I grew up to a soundtrack of Pink Floyd, Fleetwood Mac, Carole King, and Led Zeppelin to name but a few. The music and fashion of the past always moved me far more than what my friends were interested in as a teenager, and this passion has heavily influenced my style and tastes ever since. I always try, through my work, to evoke that warmth and charm I feel when I look through old photographs, that kind of hazy rose-tinted innocence of a time gone by that you wish you could have been a part of. I guess that was the key to this shoot; a modern tribute to my lifelong 1970s fantasy world in my head.
I chose Pimhill Barn in Shrewsbury, as the location for the shoot because, having shot many weddings at this venue, I knew it had ample space with many different settings and textures for our backgrounds. It has everything – from formal kept gardens, industrial farm buildings, wild forest wilderness – to rustic old-world wooden beams. I knew it would give us plenty of options to work with should we need a change of scenery, all of which are totally gorgeous. We were all completely blown away on the day when we headed up the drive to the barn through an incredible sea of daffodils!
Our two bridal styles were based around offshoots of the hippy theme. The first a more ethereal, folklore outfit with a floor length sleeved chiffon gown, flower crown, wild looking bouquet and soft make up. For me that kind of look is synonymous with the very early British 70s, when the English folk revival was in full swing.
The second was a more mainstream pop look, using striking heavy eye makeup, statement jewellery, a double layered lace maxi dress, and long flowing locks as a throwback to those stunning pin-ups of the time.
Bridal Reloved Rowton, an adorable little shop on a farm opposite the famous Rowton Castle that sell secondhand designer wedding dresses, supplied the gowns for the shoot. I wanted to use Bridal Reloved Rowton for two reasons; the first was I thought with the dresses being ‘re-loved’, there might be more chance of finding something a little more retro to fit the theme, and the second reason was I knew Jenny would put her all into the project and be just as enthusiastic about it as I was.
For the jewellery and headpieces, I used Shropshire-based Julieann Bird, who makes truly unique hand-made wedding accessories that I spotted being used on other styled shoots. I fell in love with her beaded lace brow bands and cuffs because they were perfect for the theme; they are a modern take on a very distinct 60s/70s look.
Elly at Dolly Rockers Beauty was an obvious choice for the shoot, as she is incredibly skilled and has earned a reputation locally for specialising in vintage makeup. She’s also amazing when it comes to more conventional softer wedding make-up.
To complement the look, mother and daughter team Gill and Molly Smith from Hair at the Coach House styled our models’ hair. Their combined skills and experience were key to creating the retro look we needed, as well as keeping it fresh and modern.
May 25th, 2017 | Julia Braime
Ready for something super, duper pretty? Well surely it doesn’t get much prettier than a styled shoot inspired by every girl’s current favourite colour, rose gold?!
Glamorous, feminine and fun, what’s not to love about this on-trend hue, which is making a stylish statement on the wedding scene right now.
Led by Rebecca Lord-Lyon, a fellow rose-gold lover and owner of Cheshire’s award-winning plus size bridal boutique, Edith & Winston Bridalwear, this shoot demonstrates beautifully how to incorporate this magical metal tone into various elements of your big day.
Offering ideas on everything from the dress to the details, we’ll hand over the blogging reins to Rebecca so that she can explain how she and her talented North West industry friends pulled the whole shoot together…
With images by Teresa C Photography. Model: Georgina Horne.
rebecca says: The shoot was inspired by a new product created by Stacy from Love Lights The Way – a beautiful rose gold, light-up love heart called ‘Lola’. The unique, light-up prop quickly became a massive hit with brides and after seeing Lola for myself at a wedding fair, I also fell head over heels for her and so spoke to Stacy about collaborating on a special photoshoot.
Rose gold has become a very popular colour – it’s everywhere this spring; interiors, fashion and it’s a growing trend in weddings too. We therefore wanted to create a shoot together that would show our brides how to use this pretty colour for their big day.
Stacy decided that the shoot was the perfect opportunity to introduce some more unique, rose gold pieces to her collection and so we used the shoot to launch these products alongside our brand new bridal accessories by Richard Designs.
I knew that Teresa, of Teresa C Photography, had to be our photographer. Having worked with her before, we knew she could capture the plus size model beautifully. Teresa is an amazing photographer and has worked at so many of the North West’s wedding venues. For this shoot she suggested Liverpool’s incredible The Venue at the Royal Liver Building, as our location. We trusted her instinct and she wasn’t wrong; the venue has clean lines, pure white walls and perfect lighting.
And so, on the windiest day of the year, our team of fabulous handpicked wedding suppliers, came together to pool their skills – even Storm Doris couldn’t get in the way of this photoshoot!
Precious Things were simply given the colour scheme brief of rose gold and ivory, and then we let their imaginations run free. As event stylists, they teamed up with Stacy to create the most incredible setting for our shoot, which even included a metallic rose gold tropical flower tree!
The aim was to create a look that was eye-catching and elegant as well as relaxed. They coupled rose gold sequinned table cloths with bespoke ivory frothed chair covers and handmade the copper-coloured paper flowers that were on each place setting.
For the bouquets, they used Tulips, Roses, Scabiosa Seed Pods, Broom ‘Genista’, Asparagus Fern, Berried Eucalyptus, Sweet Avalanche Roses and Success Hanoi Ranunculous.
The trees were made to be multifunctional: the smaller of the two was the perfect spring centrepiece for the decadent sequinned guest table. The larger was a fabulous backdrop. The bark of each tree was sprayed rose gold to glam up the loose yet pretty arrangement at the top. Additional flowers used in the trees were Snapdragons and Broom.
The backdrop structure was dressed with ivory voile and an abundance of foliage and flowers, which could either be used as an arch to say ‘I do’ or a photo backdrop to rival any photobooth.
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